M.ZUIKO DIGITAL ED 12‑40mm 1:2.8 Heralding a new standard of M.ZUIKO lenses
M.ZUIKO DIGITAL ED 12‑40mm 1:2.8 Heralding a new standard of M.ZUIKO lenses as the first model in the new M.ZUIKO PRO category, the M.ZUIKO DIGITAL ED 12‑40mm 1:2.8 PRO lens is engineered to meet the needs of professional photographers in all respects. When combined with the OLYMPUS OM‑D, this large‑aperture lens achieves the reputation of an unbelievably fast AF high‑performance standard zoom. Its constant, bright aperture value of f2.8 at all focal lengths (equivalent to 24‑80mm on a 35mm camera), combined with other sophisticated technologies including an MSC and Manual Focus Clutch mechanism, deliver high‑grade image creation for a wide range of photographic styles, regardless of lighting conditions and distance. The compact and lightweight design also has a dustproof and splashproof construction compliant with professional use, expanding shooting capabilities even in the most testing of environments.
M.ZUIKO DIGITAL ED 14‑42mm 1:3.5‑5.6 EZ Pancake The Olympus M.ZUIKO DIGIT
M.ZUIKO DIGITAL ED 14‑42mm 1:3.5‑5.6 EZ Pancake The Olympus M.ZUIKO DIGITAL ED 14‑42mm 1:3.5‑5.6 EZ is the world’s slimmest pancake zoom lens* that delivers stunningly crisp edge‑to‑edge image quality. Attach this lens to your Olympus OM‑D/PEN camera body and enjoy a super high‑quality system camera that fits in the palm of your hand. Available in an attractive silver metallic or black finish, the M.ZUIKO DIGITAL 14‑42mm 1:3.5‑5.6 EZ provides an impressive 3x optical zoom for versatility. The M.ZUIKO DIGITAL 14‑42mm 1:3.5‑5.6 EZ lens has a broad focal length range equivalent to a 28mm wide angle right through to an 84mm telephoto in 35mm film terms. What’s more, its electronic zoom mechanism even allows you to zoom in and out using your smartphone. An exceptionally fast, quiet autofocus ensures smooth, stress‑free still‑image and movie shooting. Meanwhile, the manual focusing mechanism has been designed to offer a responsive feel, with just the right amount of damping to enable smooth, precise operation. An amazingly small zoom lens that delivers breath‑taking image capture quality. You’ll never have to go anywhere without your camera again ‑ missing a shot can become a thing of the past! Change the way you capture with the new M.ZUIKO DIGITAL ED 14‑42mm 1:3.5‑5.6 EZ. *as of December 2013
M.ZUIKO DIGITAL 17mm 1:1.8 The M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) lens posses
M.ZUIKO DIGITAL 17mm 1:1.8 The M.ZUIKO DIGITAL 17mm 1:1.8 (34mm*) lens possesses outstanding image quality in a lightweight and extremely compact form. Its ultra‑bright 1:1.8 large aperture not only facilitates the ability to capture shots with eye‑catching depth of field blur, it also enables tripod‑free shooting in low light conditions – further accentuated by the in‑body image stabilisation of the latest Olympus Micro Four Thirds System cameras. Besides the extremely bright 1:1.8 aperture, this premium Micro Four Thirds‑compliant wide‑angle lens also impresses due to its unique mechanisms for Snapshot Focusing and Movie & Stills Compatible (MSC) autofocusing as well as a special ZERO lens coating for high quality results. * 35mm equivalent
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake The M.ZUIKO DIGITAL 17mm 1:2.8 Pancake (35
M.ZUIKO DIGITAL 17mm 1:2.8 Pancake The M.ZUIKO DIGITAL 17mm 1:2.8 Pancake (35mm equivalent focal length: 34mm) lens is even smaller than the already compact pancake lens for Four Thirds bodies. This Micro Four Thirds lens boasts the compactness to the limit with a mere 22mm in length and 71g in weight. The circular aperture diaphragm with 5 blades enables natural and smooth defocusing. This wide-angle pancake lens with its ultra compact design is ideal for daily snapshots and as travel companion.
M.ZUIKO DIGITAL 25mm 1:1.8 The M.ZUIKO DIGITAL ED 25mm 1:1.8 (50mm*) lens off
M.ZUIKO DIGITAL 25mm 1:1.8 The M.ZUIKO DIGITAL ED 25mm 1:1.8 (50mm*) lens offers best optical performance, beautiful bokeh at open apertures and impressive close‑focussing capability. Compact and extremely well‑built, it features similar high‑end resolving power and shallow depth of field characteristics of the renowned M.ZUIKO DIGITAL ED 45mm 1:1.8 lens. The ultra‑bright 1:1.8 aperture gives you full control of depth of field and outstanding low‑light photography, further accentuated by Olympus’ proprietary in‑body image stabilisation technology which counteracts camera shake for sharp images shot hand‑held at long shutter speeds. Ideal for a wide range of photography, this standard focal length prime lens reproduces a field of view that feels natural to the human eye, for perfectly balanced proportions and is therefore an essential addition to your kit. Available in black or silver to compliment your camera’s finish. *35mm equivalent
M.ZUIKO DIGITAL ED 40‑150mm 1:2.8 PRO Now there’s a Micro Four Thirds
M.ZUIKO DIGITAL ED 40‑150mm 1:2.8 PRO Now there’s a Micro Four Thirds telephoto lens for the OM‑D E‑M1 that brings out the absolute highest imaging quality the camera has to offer. Extremely compact and lightweight, it offers amazing portability for a lens of this pro class ‑ with a focal range of 80 to 300mm (equivalent to a 35mm film camera). OM‑D fans spoke out, and Olympus listened: This powerful lens also delivers fast autofocus of ^40 to 150mm, a 70cm minimum focus distance at all focal lengths and more essential pro features perfect for wedding, wildlife and sport photography.
M.ZUIKO DIGITAL 45mm 1:1.8 Beautifully designed and affordably priced, this l
M.ZUIKO DIGITAL 45mm 1:1.8 Beautifully designed and affordably priced, this lens makes a sensational addition to any enthusiast’s camera kit. Thanks to its fast aperture, the high‑power prime lens is absolutely ideal for capturing people in portraits shot that really stand out, with beautiful background blur and vivid contrasts. It is also compatible for movie‑making as well, allowing users to shoot top‑quality films with extremely fast focusing. On top of all this, it looks good too ‑ packaged in a compact body with a subtle metal‑like exterior and complete with interchangeable decoration rings to perfectly match the colour of different PEN cameras.
M.ZUIKO DIGITAL ED 12‑50mm 1:3.5‑6.3 EZ The M.ZUIKO DIGITAL ED 12-50mm 1:
M.ZUIKO DIGITAL ED 12‑50mm 1:3.5‑6.3 EZ The M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 EZ comes with a new ultra-smooth, near-silent electromagnetic zoom mechanism that powers the lens on its own – no potentially jerky wristwork required. This makes it easy for anyone to make great movies. Add in variable zoom speed and blazing quick auto focus, and it’s the perfect zoom lens for recording movies and portraits. It’s also ideal for high-quality macros or wide-angle shots and the first PEN lens with the new L-Fn button, which prevents the camera focusing on the wrong subject by mistake. Should something suddenly come between the lens and your intended subject, you simply push this button to temporarily suspend autofocus until it’s moved out of the way.
M.ZUIKO DIGITAL ED 14‑150mm 1:4.0‑5.6 Including close-ups of children&rsq
M.ZUIKO DIGITAL ED 14‑150mm 1:4.0‑5.6 Including close-ups of children’s faces, from indoor to outdoor scenes up to narrow streets this lens captures a huge variety of subjects and you will never miss a photo opportunity. Compared with our existing zoom “ZUIKO DIGITAL ED 18-180mm 1:3.5-6.3”, the volume has been reduced by 35%. This lens is your perfect companion if you want to use your 10.7x zoom as your standard lens without carrying around several lenses.
-M5 M.Zuiko Pro Kit M.ZUIKO ED 12-40mm 1:2.8 PRO lens Ultimate professional image quality when using a zoom lens: dust and splashproof, too. New design A leather texture grip, inclined knurls and silver highlights enhance usability. New finish Unique grainy textured paint finish for a more traditional look and makes scratches and marks less apparent.
Specifications Type Body material Magnesium alloy body Lens mount Micro Four
Specifications Type Body material Magnesium alloy body Lens mount Micro Four Thirds Image Sensor Type 4/3” Live MOS sensor Effective pixels 16.1 Megapixels Filter array Primary colour filter (RGB) Aspect ratio & area 4:3 / 17.3 x 13.0mm Full resolution 17.2 Megapixels Engine Type TruePic VI Filter Dust reduction filter Supersonic Wave Filter Viewfinder Pixel number 1.440K dots Style 3 styles selectable Displayed information Aperture value Shutter speed AF frame (super impose) AF confirmation mark AF lock Auto bracket Battery check Exposure compensation indicator Exposure compensation value indicator Exposure level indicator Exposure mode Flash FP flash IS activating mode Metering mode Number of storable sequential pictures White balance Brightness adjustment +/- 7 levels Correction of colour temperature +/- 7 levels Viewfinder type Electronical Viewfinder Diopter adjustment Yes -4.0 – +2.0 diopters / built-in type Field of view Approx. 100% Magnification Max. 1.15x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style) Eye point 18mm at -1 dioptre from eyepiece lens Live View Displayed information Aperture Shutter speed Auto bracket AE lock Focus mode Shooting mode Battery check My Mode IS activating mode Internal temperature warning Face / Eye detection mode Record mode ISO Sequential shooting mode White Balance Metering mode Exposure compensation value AF frame display AF confirmation mark Shooting information Spot metering area Super FP Flash status Touch Panel Condition Focal length Eye-Fi condition Flash mode Histogram AF type Contrast detection system 100% field of view Approx. 100% Magnification levels 5 / 7 / 10 / 14x Image Stabiliser Type Sensor shift Modes Five-dimensional, vertical or horizontal activation Effective Compensation Range Up to 5 EV steps Focusing System / Auto selection with Face Detection ON Predictive AF Yes Method Contrast Detection AF system (when non high-speed contrast AF compatible lens is used, it works as MF assist) Focus areas 35 points / Automatic and manual selection 800 points / Manual selection in Magnified View Mode AF lock Yes , Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised) Modes Manual focus Single AF Continuous AF Single AF + MF AF Tracking AF illuminator Yes Full time AF Yes Manual focus Yes , With enlarged focusing area Face Detection extension Eye Detect AF: Off Left side priority Near side priority Right side priority AF tracking Yes , Available in continuous AF mode Exposure System Modes Programme automatic Aperture priority Shutter priority Manual Bulb Time i-Auto Scene Modes Art Filter Exposure compensation +/- 3EV ( 1, 1/2, 1/3 steps ) Exposure bracketing 2 / 3 / 5 frames ( +/- 1/3, 2/3, 1 EV steps ) 7 frames ( +/- 1/3, 1/2, 2/3 EV steps ) ISO bracketing 3 frames ( 1/3, 1/2, 1 EV steps ) AE lock Yes My Mode 4 settings storable Enhancement function Shadow Adjustment Technology Scene Modes Number of scene modes 24 Modes Portrait e-Portrait Landscape Landscape with Portrait Macro Sports Night Scene Night Scene with portrait Children High key Low key Digital Image Stabilisation Nature Macro Candle Sunset Documents Panorama Fireworks Beach and Snow Fisheye converter Macro converter 3D Wide converter Underwater Macro Underwater Wide Multi-Exposure Max. number of frames 2 frames (shooting) 3 frames (editing) Auto gain control Yes Frame assistance Live View Light Metering Method TTL open aperture light metering Zones 324 zones Multi-pattern Sensing System Detection range 0 – 20 EV (17mm f2.8, ISO 100) Modes ESP light metering Spot metering Centre weighted metering Highlight Shadow Art Filter Modes Pop Art Soft Focus Pale & Light Colour Light Tone Grainy Film Pin Hole Diorama Cross Process Dramatic Tone Gentle Sepia Key Line Variation / Effect Available Sensitivity Auto ISO 200 – 25600 (customisable, default ISO 200 – 1600) Manual ISO 200 – 25600 in 1/3 or 1 EV ISO steps Shutter Shutter type Computerised focal-plane shutter Self timer 2s / 12s Shutter Speeds Shutter speed range 1/4000 – 60s (in 1/3, 1/2, 1 EV steps) Bulb mode Up to 30 minutes (selectable longest time in the menu, default: 8 minutes) White Balance AUTO WB system Advanced detection system with Live MOS sensor Manual White balance (One-Touch) Yes White balance bracketing 3 frames / +/- 2, 4, 6mired steps One-touch white balance 2 custom settings can be registered Custom WB 1 setting can be registered at Kelvin temperature (2000K – 14000K) Preset values Tungsten Flourescent 1 Sunlight Flash Overcast Shade Underwater Auto Flash adjustment Off / Auto WB / Flash Keep warm colour On / Off Sequence Shooting Speed (H) Approx. 9fps Speed (L) 4.2fps (IS off) , 3.5fps Max. number of frames 20 frames (RAW) 70 frames (JPG / Large Normal mode) Conditions Memory card: Toshiba SDXC UHS-I card R95 W80 model Premiugate series “Class 10″ 8GB Note: Depending on shooting conditions, the sequential shooting speed may reduce speed during shooting. Image Processing Colour space sRGB / AdobeRGB Sharpness + Contrast 5 levels Contrast 5 levels Saturation 5 levels Black & White filter Yellow, Orange, Red, Green Black & White toning Sepia, Blue, Purple or Green in Black & White mode Picture mode i-Enhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter Gradation 4levels (auto, high key, normal, low key) Engine TruePic VI Art Filter bracketing Available Tele converter effect 2x Internal Flash Modes AUTO Manual Manual (Full, 1/4, 1/16, 1/64) Red-eye reduction Slow synchronisation with red-eye reduction Slow synchronisation Slow synchronisation 2nd curtain Fill-in Off Type Detachable flash (bundled) Flash compensation +/- 3 EV ( 1/3, 1/2, 1 EV steps ) Guide number 10 (ISO 200) X-sync speed 1/250s External Flash Control X-sync speed 1/180s / 1/4000s (Super FP Mode) Type TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL Modes Auto Red-eye reduction Slow synchronisation 2nd curtain and slow synchronisation Fill-in for exclusive flash Manual Intensity +/- 3 EV ( 1/3, 1/2, 1 EV steps ) Note: Some functions are only available if they are supported by the external flash. Wireless Flash Control Number of channels 4 channels Compatible external flash FL-36R, FL-50R, FL-300R, FL-600R Control method Triggered and controlled by built-in flash light Group setting 4 groups Available when used together with cameras compatible with the Olympus wireless RC flash system. Monitor Monitor type Tiltable OLED – Touch Panel Monitor size 7.6cm / 3.0” (3:2) Resolution 610000 dots Brightness adjustment +/- 2 levels Colour balance +/- 3 levels Vivid (default) / Natural Level Gauge Detection 2-axis Display Rear display and viewfinder Recording Formats RAW 12bit RAW & JPEG Yes parallel recording JPEG Yes Aspect ratio 4:3 / 3:2 / 16:9 / 6:6 / 3:4 MPO (3D) Yes Image Size RAW 4608 x 3456 compressed / 17MB / frame 4608 x 3456 Fine (compression: 1/4) / 7.5MB / frame 4608 x 3456 Normal (compression: 1/8) / 3.5MB / frame 2560 x 1920 Normal (compression: 1/8) 1.1MB / frame 1024 x 768 Normal (compression: 1/8) / 0.3MB / frame Still Image Recording EXIF 2.2 PIM III DPOF Yes DCF Yes Movie Recording System * Some Art Filters are excluded Movie effects Multi shot echo One shot echo Recording format MOV(MPEG-4AVC/H.264), AVI(Motion JPEG) Image Stabilisation Mode Yes Sensor shift HD Movie quality Full HD 1920 x 1080 (16:9) 30p, 20Mbps (MOV) Full HD 1920 x 1080 (16:9) 30p, 17Mbps (MOV) HD 1280 x 720 (16:9) 30p, 13Mbps (MOV) HD 1280 x 720 (16:9) 30p, 10Mbps (MOV) HD 1280 x 720 (16:9) / 30fps (AVI Motion JPEGÂ®) Movie quality 640 x 480 / 30fps (AVI Motion JPEGÂ®) 29min (17Mbps) 14min (SD) / 7min (HD) (AVI Motion JPEGÂ®)* Max. file size 4GB (AVCHD) 2GB (Motion-JPEG) Exposure Modes Aperture priority Art Filter Manual Programme automatic Shutter priority Sound Recording System Microphone functions Wind Noise Reduction Recording Volume Internal microphone Stereo Recording format Stereo PCM/16bit, 48kHz, Wave Format Base External microphone Optional Image footage 30s Speaker Yes View Images Modes Index Calendar Zoom Slide show Movie Single Light box Yes Histogram in playback mode Yes Shooting information Off / On Erase / Protect / Copy Function Erase modes Single, All, Selected Image protect mode Single frame, Selected frames, All Frames, Release protect (Single/All selected) Image Editing RAW data edit Yes Red-eye reduction Yes Sepia Yes Black & White Yes Resize Yes Correction of saturation Yes Shadow Adjustment Yes Trimming Yes e-Portrait Yes Menu Menu languages in camera English, French, German, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovak, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian Customisation Options Factory reset Full / Standard Fn Button Yes My Mode 4 settings storable Programmable button Yes Interface Media SD Memory Card (SDHC, SDXC, UHS-I compatible) Class 6 is recommended for Movie shooting HDMIâ„¢ Yes Micro connector (Type D) * USB 2.0 High Speed Yes Combined V & USB output Yes NTSC or PAL selectable * “HDMI”, the HDMI logo and “High-Definition Multimedia Interface” are trademarks or registered trademarks of HDMI Licensing LLC. Connection Accessory Port 2 Wireless connectivity Eye-Fi Card compatible BluetoothÂ® Other Features Weatherproof Yes Dustproof Yes Power Supply Battery Lithium-Ion Battery Sleep mode 1, 3, 5, 10 min. and off selectable. Live View shooting Approx. 330images (50% with Live View) Environment Temperature 0 – 40Â°C operating temperature / -20 – 60Â°C storage temperature Humidity 30 – 90% operation humidity / 10 – 90% storage humidity Size Dimensions (W x H x D) 121.0 x 89.6 x 41.9mm (without protrusions) Weight 425g (including battery and memory card) 373g (body only) Super Control Panel Displayed information Battery indicator Record mode Shutter speed Aperture value Exposure compensation indicator ISO AE bracketing AF frame Focus mode AEL notification Face detection Number of storable frames Metering mode Exposure mode Exposure level view Flash compensation value Colour space Gradation Colour saturation compensation value Sharpness compensation value Contrast compensation value White balance White balance compensation value Noise reduction Flash mode Drive mode Internal temperature warning Histogram – See more at: http://www.za.olympus-mea.com/site/en/c/cameras/om_d_system_cameras/om_d/e_m5/e_m5_specifications.html#sthash.3HTKiQ9j.dpuf
Looking to take macro shots in high resolution with striking contrasts and su
Looking to take macro shots in high resolution with striking contrasts and supreme detail? The M.ZUIKO DIGITAL ED 60mm 1:2.8 Macro lens delivers all of this and more, excelling above all in terms of image quality, versatility and resilience. Being a dedicated macro lens, it lets you take shots at close range in true (1:1) life size, as well as offering you continuous focusing from this distance to infinity. Built with incredible precision, it features an internal focus system with floating lenses that is capable of producing equally high image quality when shooting macro, landscapes, portraits, and more. Create shallow depth of field effects with its open aperture and really show off the contrast between razor-sharp details and circular bokeh that this lens creates. As well as being technologically sophisticated inside, it is also built to last on the outside – with a dust- and splashproof outer body and specialist protective coating for the lens glass itself. You can also enjoy the focus dial to easily change the possible focus range (0.19-0.4m or 0.19m-infinity or 0.4-infinity). On top of this a special display indicates the actual focus distance for more control of your shots. Plus thereâ€™s the option of acquiring an automatic lens hood, which can slide up and down to reduce flare and protect your lens. – See more at: http://www.za.olympus-mea.com/site/en/c/cameras_accessories/pen_om_d_cameras_accessories/pen_om_d_lenses_adapters/m_zuiko_digital_ed_60mm_1_2_8/index.html#sthash.rS26kBnB.dpuf